A true custodian of global culture, Dr. Amin Jaffer has shaped projects at the Victoria and Albert Museum (V&A), curated the Islamic Arts Biennale in 2025, and now the acclaimed India Pavilion at the 61st Venice Biennale. His impact on the world of art is profound, given that he has chronicled history through many brilliant books. Today, as director of The Al Thani Collection—a repository of over 5,000 artefacts spanning millennia—Jaffer continues his lifelong journey of bringing world heritage to those who treasure it most.

Before we delve into The Al Thani Collection, we have to ask: what was the idea behind the theme ‘Geographies of Distance: Remembering Home’ at the Venice Biennale’s India Pavilion?

The Biennale’s theme, ‘In Minor Keys’, invited a quiet, introspective response, leading me to reflect on the idea of home at a moment when India is changing at an unparalleled pace. Across the country, cities and communities are being transformed, while globally millions of Indians continue to live and work far from their places of origin. ‘Geographies of Distance: Remembering Home’ explores the idea that home is not simply a physical place, but something we carry within us through memory, ritual, relationships and material culture. It’s a theme rooted in the Indian experience, but with universal resonance. 

How did you build a cohesive story for The Al Thani Collection, given that it spans antiquity to the present?

The Al Thani Collection represents the vision of its founder, His Highness Sheikh Hamad bin Abdullah Al Thani. We work closely with His Highness in presenting the Collection; the stories reflect his collecting vision. With more than 5,000 objects spanning periods and geographies, there are many stories we can tell about civilisation, and this is exactly what we aim to do at the Collection’s museum space at the Hôtel de la Marine in Paris.

The jewels in The Al Thani Collection are historically significant. What essential qualities must a piece possess to merit a place?

The Al Thani Collection is very much a reflection of the encyclopaedic vision of its founder. I can say that works of art tend to be selected based on their form, the skill, mastery, and proficiency of their creator, as well as their provenance and ability to evoke history, bridge cultures, and promote cultural exchange.

Read the full story in the special ‘Joaillerie Market’ issue of LuxeTrope, on stands now.

A jewelled sarpech adorning a Mughal ruler, delicate pearl strands in a Raja Ravi Varma painting, or shimmering ornaments in the works of Hemendranath Mazumdar are not simply artistic details. They are visual symbols that communicate status, tradition and emotion, transforming paintings into rich narratives of India’s cultural heritage.

In Indian courtly art, jewellery served as a language of authority. Turban ornaments, layered necklaces, armlets and waistbands signified imperial power and royal lineage, making them integral to portraits of kings, queens and nobility. Today, that fascination continues, with heavily ornamented artworks commanding strong demand at auction as collectors seek works that embody both artistic excellence and historical significance.

One remarkable example is Raja Ravi Varma’s ‘Little Prince of Courage’, which achieved ₹30.88 crore at auction, its meticulously painted royal jewels adding to the work’s enduring appeal. Across Indian art, ornamentation continues to enhance not only visual beauty but also the stories embedded within each masterpiece.

A similar sense of luxury is found in the paintings of Hemendranath Mazumdar, where luminous fabrics and delicately rendered jewellery work together to create an atmosphere of intimate opulence. His elegant compositions capture the refinement of another era, demonstrating how jewellery can shape mood as much as identity.

Far beyond embellishment, ornament remains one of the defining visual languages of Indian art—bridging history, craftsmanship and culture while continuing to captivate collectors around the world.

Read the full story in the special ‘Joaillerie Market’ issue of LuxeTrope, on stands now.

The inaugural edition of The Collectors’ Cove 2026 marked a defining moment for India’s luxury collecting ecosystem. Presented by Giftex.in, in association with HSBC, the invitation-only event brought together collectors, patrons, and connoisseurs for a curated celebration of exceptional craftsmanship, rare objects and cultural heritage. More than an exhibition, it offered an immersive experience that reflected the evolving tastes of India’s discerning luxury audience.

Held on August 1 and 2 at Mumbai’s Ballard Pier Downtown Experience Centre, the event transformed over 80,000 square feet of waterfront space into an experiential destination inspired by the journey of collecting. The venue encouraged visitors to discover art, design and luxury through thoughtfully curated spaces that blended architecture, storytelling and emotion.

Among the defining highlights was an immersive tribute to M.F. Husain. The multi-sensory installation reimagined the legendary artist’s iconic horse paintings through animated canvases and collectible design pieces, offering visitors a fresh perspective on one of India’s greatest creative visionaries.

Sayed Haider Raza never painted landscapes alone, he painted memory, emotion and philosophy. From the forests of Madhya Pradesh to the artistic circles of Paris, every phase of his life found expression on canvas, evolving from lyrical landscapes into the powerful geometric abstractions that redefined Indian Modernism.

His iconic Bindu became far more than a simple dot. It emerged as a symbol of creation, energy and the universe itself, inspired by Indian philosophy and years of introspection. Alongside celebrated works such as Jaipur, Tree and his abstract compositions, volume two of Sojourn: Selected Works (1940–2015) also revisits his early figurative watercolours, expressive townscapes, and the pivotal years that shaped his visual language—from his role as a founding member of the Progressive Artists’ Group to his transformative years in France.

Sojourn: Selected Works (1940–2015) Volume II presents a richly documented journey through Raza’s creative life. Featuring rare archival photographs, personal anecdotes and meticulously catalogued artworks, it offers an in-depth look at one of India’s most influential Modern artists and the ideas that shaped his enduring legacy.

It’s an exploration of an artist’s lifelong search for harmony, balance and spiritual truth—revealing how colour, geometry and memory came together to create one of the most recognisable visual languages in Indian art.

Published by The Arts Trust, in association with AstaGuru.